Portfolio of electroacoustic music compositions: self as a method, an exploration of the creative process

This written commentary introduces “self as a method, an exploration of the creative process”, presenting a portfolio of six original electroacoustic music works created as part of the doctoral research at Queen’s University Belfast. The works included are <i>Atmo-</i>, <i>Immemorial/Flux</i>, <i>Metamorphosis</i>, <i>Parallel Visions</i>, <i>Touch</i>, and <i>Unfolding</i>.<br><br>The portfolio showcases a diverse array of formats: one 7.1.4 work, one 8-channel, one stereo, one 10-channel, and two works for solo instruments with electronics - one for guzheng and another for piano.

Except for two, all compositions are acousmatic, with the mixed works drawing on timbre-based composition and acousmatic tradition.<br><br>The commentary provides readers with in-depth information on my compositional strategies for each work, referencing current musicological terminology and contextual writings in the field. Additionally, the accompanying oral presentation video offers a comprehensive overview, providing insights into my artistic endeavors and reflections on finding my voice through practice-based research from the perspectives of creator, performer, and researcher.<br>