<b>Borderlinks 3 </b>- Drawing as Performance 3 (Drawing Lab) 2026

Text from The Matrixial Borderspace as collages and drawings behind the performer are written about in Vol 1, Ch. 3.3, and in Vol II, P/folio 9, Figs 71-83)</p><p dir="ltr">(2). Molly's soliloquy from <i>Ulysses</i> is presented in different forms derived from drawing processes discussed in (Vol 1, Ch. 3.3) and including the whole text of <i>Ulysses embedded </i>in the <i>Sodabreadbookobject</i>. It is written about in (Vol. 1, Ch.33) with visuals in (Vol II, Portfolio 10, Figures 93)</p><p dir="ltr">(3) <i>A feminist mask for Joyce’s</i> … is an unfinished title for an object containing the word ‘feminist’ mentioned only once in <i>Ulysses</i> in the Circe episode.

These drawings are written about in (Vol. I, Ch. 3.3) with visuals in (Vol II, P/folio 8, Fig. 62).</p><p dir="ltr">Filmed as a live performance with an audience for the third time as part of The Drawing Lab on 26 February 2026 in The Fine Art Department at Loughborough University, it provided an audience-based framework for a one-woman monologue with improvised sections and transtext objects. A transcript of the performance is available (Vol II, Script 3, p.168).</p><p dir="ltr">With many thanks to the Fine Art Dept at Loughborough University, Rachel Gadsden and Yige Bau, for Drawing Lab initiatives and support, including recording the performance videos.

My sincere thanks to Deborah Harty and the Drawing Research Group at Loughborough University.</p><table><tr><td><p dir="ltr">© the author</p></td></tr></table><p></p>