<b>Borderlinks 2 - </b>Drawing as Performance 2 (Drawing Lab) 2026

I have written about the drawings in the thesis (Vol I, Ch 3.3). A list of the drawings is as follows:-</p><p dir="ltr">(1). Text from The Matrixial Borderspace as collages and drawings behind the performer are written about in Vol 1, Ch. 3.3, and in Vol II, P/folio 9, Figs 71-83)</p><p dir="ltr">(2).

Molly's soliloquy from Ulysses is presented in different forms derived from drawing processes discussed in (Vol 1, Ch. 3.3) and including the whole text of <i>Ulysses </i>embedded in the <i>Sodabreadbookobject</i>. It is written about in (Vol.1, Ch.3.3) with visuals in (Vol II, Portfolio 10, Figure 93)</p><p dir="ltr">(3) <i>A feminist mask for Joyce’s …</i> is an unfinished title for an object containing the word ‘feminist’ mentioned only once in <i>Ulysses </i>in the Circe episode.

These drawings are written about in (Vol. I, Ch. 3.3) with visuals in (Vol II, Portfolio 8, Fig. 62).</p><p dir="ltr">Filmed as a live performance with an audience for the second time as part of The Drawing Lab on 24 February 2026 in the Fine Art Department at Loughborough University. It provided an audience-based framework to experience a one-woman monologue with improvised sections and transtext objects.

A transcript of the performance is available in ( Vol II, Script 2, p.160)</p><p dir="ltr">With many thanks to the Fine Art and Photography Departments at Loughborough University and to Rachel Gadsden and Yige Bau for Drawing Lab support, and for recording the performance videos. My thanks to Deborah Harty and the Drawing Research Group at Loughborough University for feedback and support.</p><table><tr><td><p dir="ltr">© the author</p></td></tr></table><p dir="ltr"><br></p>