RABINDRANATH TAGORE’S THEATRE AND THE PROFESSIONAL STAGE : CONFLUENCE, CONFLICT, AND REVIVAL

However, a few plays, such as Chirakumar Sabha, Bisarjan, and Dakghar, have found success on the professional stage. With the rise of the group theatre movement in the mid-20th century, Tagore’s plays experienced a revival. This study explores the limitations, successes, and cultural impact of incorporating Rabindranath’s dramas into professional theatre.

Keywords: Rabindranath’s plays, professional stage, group theatre, theatre philosophy, Shishir Kumar Bhaduri, commercial theatre, cultural impact. Introduction: The history of Bengali theatre bears witness to a multifaceted evolution. In the late 19th century, Rabindranath Tagore introduced a new dimension to theatre, where art, philosophy, and poetic expression were intricately intertwined.

However, the position of Rabindranath’s plays on the professional stage has always been a subject of debate. Traditional theatrical conventions prioritize intense emotions, dramatic conflict, and entertainment-driven presentation, whereas the intrinsic essence of Rabindranath’s plays—marked by abstraction, contemplative philosophy, and subtlety—has often been deemed unsuitable for this framework. Despite these limitations, Rabindranath’s plays have become an integral part of Bengali theatre.

With the emergence of group theatre and the contributions of eminent theatre personalities like Shishir Kumar Bhaduri, Shambhu Mitra, and Utpal Dutt, a new era for Rabindranath’s plays was ushered in. This research paper analyzes the oscillation of acceptance, specific instances of success, and the overall impact of Rabindranath’s plays on the professional stage.