The effects of the application of Orthodox ascetic practices to choreographic processes and dance performance

In this thesis, I investigate the experiences of four groups of dancers who participated in a dance trial workshop and three dance residencies as part of my PhD research during spring and summer 2017 in Greece, Ireland, and Northern Ireland. During the trial workshop and three residencies, the participants worked on exercises I devised based on Orthodox ascetic practices, while simultaneously working on the production of a dance piece.<br><br>An ethnographic and autoethnographic approach was taken for this practice-based research and the data produced through group and individual interviews, reflective writing, and drawings in reflective journals, photos, and pictures.

For the analysis of the interviews, the methodology of interpretative phenomenological analysis (IPA) was utilized. This thesis discusses the dancers’ experience from two exercises based on the Orthodox ascetic practices of silence and detachment from material objects. The themes generated from the above exercises include different aspects of communication, the topics of focus and controlling the thoughts, the sharpening of the senses, overconsumption, lifestyle Minimalism, and human vanity and greed, among others.