Against the grain: the poetics of non-normative masculinity in decadent french literature

Taking Joris-Karl Huysmans’s À Rebours as a starting point, I explore the representation of masculinity as a literary concept in Decadent literature by Jean Lorrain (Monsieur de Phocas), Rachilde (Monsieur Vénus and La Tour d’amour), and Octave Mirbeau (Le Calvaire), in order to demonstrate how the Decadent movement both appropriated and subverted patriarchal assumptions surrounding reading and writing.

By positioning the study against the backdrop of the fin-de-siècle ‘crisis’ of masculinity, the thesis undermines the exceptional default status that heterosexual white males held at the time by revealing that masculinity can be equally performed by those deemed un-masculine under Patriarchy - specifically the neurasthenic dandy, the male witch, the submissive male, the dominant female, the illiterate male, and finally the aesthetically and sexually impotent male.