Religious imagery in nineteenth-century French slavery narratives

The authors studied are both canonical and non-canonical, male and female, and the integration of archival sources into my study constitutes a distinct methodological trait of the thesis. Close textual analysis of my corpus is anchored in a rich critical framework of historiography, Colonial and Postcolonial Studies, Critical Race Theory, Gender Studies, Theology, and literary criticism.

Collectively, these works demonstrate the powerful range of ways religion was used as a framing device in the representation of slavery in early nineteenth-century French literature. The (ab)use of Christianity in literature as a justification for slavery is juxtaposed with its role as a keystone in abolitionist writing, such as in the œuvre of Sophie Doin. Beyond Christianity, the portrayal of religious beliefs and practices from around the Atlantic Triangle provide us with crucial insight into the French understanding of race and identity at the turn of the nineteenth century, showing how French authors used religion as a multifaceted device to illustrate racial difference and explore fears of revolution in the French colonies.